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Rather, these apps give creative kids additional opportunities to develop their musical and artistic skills. And, plenty of time and opportunities to explore. These music and art apps don’t replace hands-on music and art experiences. My kids grew up with plenty of music and art supplies.

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My Best Apps series would not be complete without my best apps for music and best apps for art picks. Some negative reviews “would say things like, ‘This is a useless program,’ which I loved,” he said.*This post contains affiliate links. Snibbe said he delighted in the confusion about what, exactly, was the nature of his apps. Rinehart said he expected a rapid influx of artists working on mobile applications, in the same way that artists flocked to early Internet projects, although art is currently not among the 20 categories in the Apple app store. Snibbe’s success has helped clear the way. It is early in the development of artist-made apps, but Mr. Some artists might have a hard time working under those constraints. Every application must be vetted by the company before it is made available in the iTunes store. Then there is the matter of Apple approval. Also, the gallery system is at odds with distribution of apps: as Steve Sacks, owner of the new media gallery BitForms in New York, said, the iTunes model would cut him out entirely. Throwing an art project into the iTunes marketplace, an arena filled with “disposable” programs, will not be appealing to many artists. “I think it’s taking a little bit of time for artists to start making apps because, for a lot of artists, it requires a shift in thinking,” Ms. There can be conceptual resistance as well. Baldessari’s app, for example, cost $35,000 to produce. Programming can be expensive if outsourced: Mr.

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Utterback said her first hurdle was the nitty-gritty business of learning how to write application code Mr. He said artist-made apps were “the perfect marriage of mass distribution with collaboration potential and ability to have a local bodily experience.” Artists can get their work seen widely, and get paid for it by charging per download.īut there are downsides. Berkeley Art Museum has shown mobile applications in his NetArt series and will do so again this fall. Richard Rinehart, a digital art curator at the U.C. For her app, she plans to adapt aspects of her wall-sized “Untitled 5,” made in 2004, which created colorful crystalline patterns based on the viewer’s movements in the room. This fall, Camille Utterback, a San Francisco interactive video artist who won a MacArthur “genius” grant last year, will be releasing her own apps, based on previous interactive works. Other artists who have made apps include Amit Pitaru, who is based in Brooklyn and transported his “Sonic Wire Sculpture” installation to the small screen, and the Japanese art duo Exonemo. He has more on the way this fall and winter. Snibbe’s apps resemble interactive screen savers, with mesmerizing patterns that respond to touch. Apple selected Gravilux to be a featured app, a coveted slot. In 24 hours it soared to the top of the app charts. His Gravilux application an elegant, black and white field of dots that follows the user’s finger around the screen was released in May.

He would not say how much he had made, save to allow that he covered the “significant” start-up costs.

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The majority of those downloads, though, came when he released Gravilux without charge eventually, he set the price at 99 cents per download for the iPhone version of Gravilux and Antograph, with Bubble Harp and the iPad Gravilux retailing for $1.99. All told, his three apps have been downloaded over 400,000 times. He has since released three mobile applications Bubble Harp, Antograph and Gravilux and has become one of the first artists to make it big in the iTunes app store. Snibbe dusted off some of his old code and got to work. There was no way to sell it.”īut the advent of mobile devices with touch screens and tilt sensors changed all that. Snibbe said, “and then there was the problem that it made no money.

“It wasn’t seen by that many people,” Mr.

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